It’s the music. Always has been. Probably always will be. It takes me places I have been. It invites me to places I would like to be. It is a surefire prompt for myriad memories.
With Heart and Voice on Hawaii Public Radio has been a Sunday ritual for many years. The first host, Richard Gladwell, a transplanted Brit who broadcast from the public radio station in Buffalo, New York, played tracks from what must have been a vast collection of sacred choral and instrumental music around themes. When Gladwell died, Peter DuBois became the host.
Not surprisingly, on the Sunday before Memorial Day, many of the selections DuBois played related to remembering or evoked a martial feeling. He began the show with the hymn “God of Our Fathers.” If you know the hymn, you recall that each stanza begins with a trumpet flourish. It is the only hymn I remember doing so. Those eight notes put me in the pew at University Christian Church, Seattle, around 1954.
Dad was the Minister of Christian Education, in that church, the number two person on the ministerial hierarchy, responsible for the Sunday School programs for people of all ages. In my little blue suit, white shirt and tie, and Homburg hat (just like Dad’s, though removed when indoors), I sat with Mom and my sister on the left side, (my brother was waiting to be born in September) in front of Dad’s lectern. Most Sundays, his role was to read the Bible verses informing the text of the sermon by the Senior Minister.
The church had a magnificent pipe organ, befitting a sanctuary that could seat over 1,000 people, all inside a classically Gothic-looking brick building with a square tower that projected power and authority. On the Sundays that we sang “God of Our Fathers,” the call to worship of the trumpet pipes of the organ stirred the blood. To me, at age 7, the voices of the congregation sounded louder and more confident when the trumpets finished their call.
I can go back to that pew just by closing my eyes whenever I hear the trumpets of “God of Our Fathers.”
People of a Certain Age, where does music take you?
PBS telecasts the national celebration of Memorial Day from the Capitol Mall in Washington the night before the holiday. Typically, a celebrity hosts the show and introduces various musical groups and soloists who sing songs that celebrate the nation and its founding values. The TV cameras scan the crowd, many of whom are waving small American flags, some even singing along.
The crowd is quintessentially American—faces of many colors, some heads covered as befits a particular religion, every age present, all sharing a moment that celebrates the idea of America and the lives of those who have served in one of the armed services to defend that idea.
At some point in the show every year, or so it seems, the anthems representing the branches of the military are played, representing the Army, Navy, Air Force, and Marines. (Maybe the Coast Guard is in there, too, but I don’t remember their anthem like I remember Caissons Rolling, Anchors Aweigh, the Wild Blue Yonder, and the Halls of Montezuma). These are songs we learned in grade school in San Diego. Did you learn them, too, People of a Certain Age?
“Anchors Aweigh” puts me in Grossmont Hospital in May 1998, my sister, brother and I around my father’s bed following his simultaneous heart attack and stroke a few days before. The stroke left Dad without speech. We were watching that year’s Memorial Day show from Washington, and he seemed to be tracking the event, though he was unable to tap out any of the rhythms or say anything about the performances.
However, when the chorus began to sing “Anchors Aweigh,” Dad sang along with them and got all of the words right.
I have written before about that evening because it marks a moment when we siblings bonded as adults in a way we had not before, not because we were not close but because our lives had spread us around the country.
Dad’s singing did something else for me that I cannot name: I just know.
One of the last selections Peter DuBois played was the spiritual, “Going Home.” The song itself is beautiful and moving; this rendition was particularly noteworthy. Judy and I wondered whether the genesis of the song was religious—going home to Jesus after death—or political—going home to the land from which they or their ancestors had been cruelly kidnapped in one of the darker hours of human history.
It struck me that the music of that morning before Memorial Day had taken me home in some way.
Memorial Day has its origins in remembering the service and sacrifice of others to the benefit of the nation. It is also okay if the day reminds us of the service and sacrifice of those who have enabled our lives to be rich and full of meaning.
If I ever have any difficulty remembering, somehow there is always music around to help me.
Daniel E. White
May 28, 2018