Among the many gifts enjoyed by older people is the number of chances for the familiar to be made fresh.
The Bible reader was an older woman, only slightly taller than the lectern she stood behind. The reading was a story I have heard many times before. Two men on the road from Jerusalem to Emmaus, on the third day following the crucifixion of Jesus of Nazareth, were joined on the road by a fellow they didn’t recognize.
This third man inquired about their sadness and then launched into reciting various passages from Hebrew scripture pertaining to the coming of the Messiah. The men were enthralled. Upon reaching Emmaus, the two travelers invited the stranger to have dinner with them. In the course of the meal, they came to believe that they had been journeying with Jesus, miraculously risen from the dead. After their encounter, the two, one of whom remains unnamed, go back to Jerusalem to tell the other believers what they had seen.
The reader spoke slowly, with expression, conveying the melancholy of the two men when we first encounter them. Then we share their curiosity about their travel companion and their urgency at not wanting to part with him at Emmaus. When they see Jesus, we hear their excitement, and as they share their news with the others, their joy is unmistakable in our reader’s voice.
Whether the story is true is a matter of faith and belief.
What was true was that this diminutive woman with her soft voice read the story in a manner that left us feeling like were we hearing it for the first time, and from a witness.
We are nearly through another season of graduations. Counting my own, I imagine that I have attended more than fifty such ceremonies, not unusual for someone in my line of work. At most of the commencements, the students march to the sounds of Edward Elgar’s “Pomp and Circumstance.”
I can conjure up the tune in my head at will. Any of you who have been around schools can probably do the same. The notes have not changed since Elgar wrote them. Yet every time I hear them played well and clearly, I am moved. Perhaps the reason is that another cohort of students is being honored for their work. In that way, every commencement is a new event.
There is something deeper, too. The majesty of the music makes me stand a little straighter. The students, though a different group than last time or the time before, are connected to every other group so honored in a formal recognition of significant achievement. I feel in the presence of something noble, timeless, worthwhile.
The music is familiar. So is the feeling of freshness.
Some years ago, Judy and I were in Dodger Stadium for The Three Tenors concert. The second encore was “Nessun Dorma,” a familiar piece to people who listen to classical music. When the trio hit the final “Vincere,” that amazingly high climax that then slides into orchestral grandeur, 55,000 people were lifted out of their seats as though a giant magnet were making staying seated impossible.
Not long after that, Judy and I were at a Willie K Christmas Concert. Willie sang old favorites and some less well-known pieces that drew spirited applause from the audience. The last song was “O Holy Night.” We have sung that song countless Christmases and heard many great artists perform it beautifully.
This time, Willie seemed possessed by the lyrics and music, transported to another realm. The crystalline nature of his tenor voice built toward the climactic “oh, night divine” line that requires the artist to reach a very high note, the highest of the song. As Willie hit the note, the sell-out crowd rose to their feet. The Dodger Stadium magnet was at work again. No one could remain seated in the presence of such purity.
In my experience, the familiar becoming fresh more often than not does so in the context of performance. The reader, the actor, the singer, the musician, the photographer, the artist; these are often the vehicles for us to see again for the first time.
Young people can have similar experiences. Somehow, though, the more familiar something is, the greater the impact of startling freshness. And People of a Certain Age have more accumulated encounters with the familiar because they’ve been around a while longer. So, perhaps, we feel the gift of freshness more intensely.
If the teaching of the arts in schools and the support of the arts by communities ever needs a testimonial, I’m there. Who can say where we will find the next Willie K or Luciano Pavarotti or my treasured reader of old stories in a new way? Our lives would be a little less rich if we did not enjoy the moments when the familiar is made fresh for us.
May 27, 2015
Daniel E. White